Books & Bruch, October 10 2019

Join us for our  2019 Books & Brunch event!  Cocktails, music, fantastic food, curated gifts,  and the opportunity to meet acclaimed Toronto Black Writers. Created by Black Women For Black Women so that Black women in Toronto  can come together in a luxury setting surrounded by amazing women, good food and an abundance of #blackgirlmagic.

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Meet Acclaimed Author Zalika-Reid-Benta on October 19, 2019

Zalika Reid-Benta Fried Plantain

We are very excited to have Zalika Reid-Benta join us in conversation about her debut novel Fried Plantain. The book is described as

“Sharp-witted and sharp-tongued, Frying Plantain is written in the indelible ink of memory. Zalika Reid-Benta is a masterful storyteller with a light touch, a photographic recall, and a pitch-perfect ear for the ephemera we’d like to think of as youthful, but just can’t seem to shake. This is an unforgettable debut.” — Paul Beatty, Booker Prize–winning author of The Sellout

Frying Plantain

Kara Davis is a girl caught in the middle — of her Canadian nationality and her desire to be a “true” Jamaican, of her mother and grandmother’s rages and life lessons, of having to avoid being thought of as too “faas” or too “quiet” or too “bold” or too “soft.” Set in “Little Jamaica,” Toronto’s Eglinton West neighbourhood, Kara moves from girlhood to the threshold of adulthood, from elementary school to high school graduation, in these twelve interconnected stories. We see her on a visit to Jamaica, startled by the sight of a severed pig’s head in her great aunt’s freezer; in junior high, the victim of a devastating prank by her closest friends; and as a teenager in and out of her grandmother’s house, trying to cope with the ongoing battles between her unyielding grandparents.

A rich and unforgettable portrait of growing up between worlds, Frying Plantain shows how, in one charged moment, friendship and love can turn to enmity and hate, well-meaning protection can become control, and teasing play can turn to something much darker. In her brilliantly incisive debut, Zalika Reid-Benta artfully depicts the tensions between mothers and daughters, second-generation Canadians and first-generation cultural expectations, and Black identity and predominately white society.

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